The daughter of esteemed filmmaker Deepa Mehta, Devyani Saltzman chronicles the difficult journey of making the final film in her mother's trilogy EARTH, FIRE and WATER, but more importantly honestly reflects on the strained relationship she's had with her famous mother since she chose at the time of separation to live with her father.
WATER was plagued with issues during its initial production schedule in India in 1999 when government officials declared that its portrayal of the Hindu widows was false. Locals even built an effigy of Mehta and burned it as well as the sets to the ground.
With new financing, and under the working title FULL MOON, the production starting shooting five years later in Sri Lanka. In Spring 2007 WATER was Canada's submission for the best foreign film at the Academy Awards.
SHOOTING WATER not only helped me to understand the process of film production but also to appreciate Saltzman's honesty about herself and about her resolve to mend the holes in the rapport with her mother.