Lisa Moore's first novel is as filmic as her short story collection OPEN. Her training as a visual artist is obvious in her acute attention to sensory detail. She inhabits each of the characters in ALLIGATOR with absolute credibility, which means she's as equally convincing as a teenaged eco-terrorist wannabe and as a middle-aged filmmaker ignoring heart trouble.
Nominated once again for the GILLER PRIZE for the best Canadian book of fiction in English, Lisa Moore's fresh style may turn the heads of this year's prize jury: Warren Cariou, Elizabeth Hay and Richard Wright.
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